Cinema: such as rubber Rodchenkov did al-Qaeda on the Oscar-2018

Well, here is finally agrohotel the main "Authoritative" cinema event of the year. Another group of favorites took communion candy gold "Oscar". Head candy went to director guillermo del toro with his corporatocracies drama "Form of water" about the love of a woman with a disability and the marine monster, which evil dr. I wish to put on the experiments.

Recently guillermo delighted the audience quite shamelessly empty, but entertaining and highly entertaining cintractia about war of the monsters kaiju with giant robots in the film called "Pacific rim". And so the mexican decided that it is time for the gringos to fork out for "Oscar". However in the luggage of pictures guillermo was already golden lollipops, but for makeup, sets, and cinematography. To officially prichastilis genius is clearly not enough. And now, guillermo conjectured brain and decided that if he fell into the trend of the maximum even fantastic (in the literal sense) of political correctness, the lollipop is guaranteed for him.

And not lost, not lost so that the predictability of the recipient of the golden lollipop was absolute. Ie now for "Universal" recognition of the genius and offerings of laurel twigs is enough conformist radar, and craft skills. The vision, creativity and a bit of dissent extinct, because poorly controlled. "Democratic" lobbying and screaming crowds on the streets protecting lgbt people, feminists, "Green", but at least the desert gophers, slowly supplanted the care of cultural, social and most importantly, the aspirations of the people at all. Do not have time for guillermo to wash your lollipop champagne, as already patriotic citizens from the film industry eagerly began to smoktat figurine new genius.

At the moment lined up a whole column of "Film critics" led by my favorite film critic with the face of the hard-drinking cherub anton by dolinin. This slimy chomping i do not recall since, as in cannes triumphantly marched subtle like a cockroach drama about two lesbians love "The life of adele". Then only tony dashed off a few songs of praise this painting in various media, including pure state. And this in a country in which its head expresses the relentless struggle for traditional values? and one could drown it in sophistical reasoning about the views on creativity, only to be creative, as i explained, this is irrelevant. But it's true – the portrait of a "Unbiased and professional" awards world-wide and home-grown adherents of foreign trends.

But the most interesting begins, when the curtain is woven from a joyful squeal open. After all, the main lollipop for the documentary was awarded to the creators of the painting "Icarus," which beat out the other "Nepolian" - the middle east of the creators of the film "The last people of aleppo". Long to parse all the twists and turns of history by gregory rodchenkov not see the point, i shall mention only the essence. As it turned out, not quite mentally stable citizen rodchenkov haggling with the specific medicines under the counter. After he took off from the Moscow lab with the prospect of criminal action (by the way, not without the help of wade), the guy fled across the border.

There he quickly sewn angel wings as chose the free life of the former hostage of the regime. Recently, the disease even had a plastic surgery face and quickly presented the result to the public, accompanied by a statement about the fears for his life. Then, however, he caught himself and pulled on face balaclava and goggles. It is true, one of the unique cases in the history when the 60-year-old man did not understand that a condom should be put on before intercourse, not after. The painting "Icarus", from a purely craft and propaganda points of view, done professionally. Then you and the suspenseful music at the right moments, and sinister picture of the Kremlin, and hourly flickering like the eye of sauron, the face of Vladimir Putin, and even the victory parade, annually forcing Western "Partners" is not a joke vibrate, managed to cram.

In general, all that is needed to foreign people, prone to hysteria until napalovanie of headwear in the form of female genitalia, epilepsy was taken ill at the mere mention of "Russian". The director of this oscar-winning masterpiece is brian fogel. By the way, this is the creator and helped rodchenkova to leave the country. Apparently, brian along with helped grishenko to get into the role more skillfully. To say that after the revelations played and artfully directed round of anti-russian scandals, career, vogel has gone up - not to say anything.

This journeyman prior to his "Triumph" took only one penny comedy romance, failed on all counts, and now residing in frankly threeway "Red" zone of the rating. That's such a talent. Competitor "Icarus" at propaganda strength is not inferior to the opponent. However, one of the contenders for candy this year was a sentimental tape "The last people of aleppo" touching uncomplicated narrow-minded feelings of the Western consumer of cohort age-old activists as skillfully. And comrades who worked on this picture, as they say, honored. For example, one of the directors, a steen johannesen, has already proven itself in the field of anti-russian propaganda after their euro during the creation of the film "Putin's kiss".

Besides the main characters in the movie "The last people of aleppo" are licked by the West to a glossy shine white helmets. Those "Helmets", which is already caught in so close relations with al-qaeda that many scientists do not do between these interest groups no differences. This is in addition to allegations of trafficking in human organs. One of the trapped "Victims of the Russian-assad aggression" so why coveted golden lollipop has sailed for the film about rodchenkova and his "Revelations"? how rubber face managed to beat al-qaeda? first, the olympic year dictates our "Independent and nepolzhivye" its own rules, it's not up to creativity – timeliness, you know. You want to somehow justify this shameful sport a farce. Second, the "Helmet" has had its share of cinematic baubles last year, using the "Documentary" pictures, "White helmets".

The truth is, even if we abstract from all the bloody facts associated with this organization, "White helmets" is so cloyingly maudlin tape that fills the mouth after the first viewing. Squeaky plaintive song accompanying infinitely hysterical and aching of kastanozem look disgusting and fake. However, this did not stop best hollywood bohemians to take a picture to cheer. The festival potential of netflix's "True to himself" from year to year. Third, the seam of all the "Documentary" pictures, uvozyaschy golden candy slip one interesting office – netflix. This american entertainment company has long been settled in the documentary movie anti-russian.

One of the debuts of the company is tear-tape "Winter in the fire. The ukrainian struggle for freedom. " the absolute one-sidedness of the painting looks at us straight from the poster on which the little peasant woman in the typical wreath and the embroidery "Opposes" the Kiev police in the form of a deliberately black-and-gray mass "Berkutovets". After this quite successful agitation netflix "Supervised" and "White hats" and "Icarus". In this case, with the brick face of a lack of bias and impartiality.

And "Oscar" took it all with enthusiasm. And netflix among other things a very powerful mouthpiece of the information war that has not its broadcast, except that on the territory of China. Fourth, the apparently Western citizens became too uncomfortable with a ram's persistence to ignore time after time to expose the fakes "White helmets". And anyway, who in the state department had managed to take on the role of the lamb of god these stupid arabs who will not be resurrected in time, from under the concrete slab jump with the agility of a viper, while staging another terrible bombing dead allow the kids to walk around the set. Though the girl had changed but relying attention "Kazachki" still got it.

The official representative of us state department heather nauert immediately after the "Oscar" congratulated the creators of the film "The last people of aleppo" with the nomination for the sweet golden candy. So the agitprop that home-grown "Geniuses" over bumps carried for almost 30 years, finds himself in the land of freedom and democracy has blossomed in such a color that the bolsheviks until it away. The main thing is that as frightening as this propaganda machine may be, it stands on feet of clay. And to balance the information space, at least in his native country, did not need much. Here only who will deal with? "Artdocfest", humbly staring into the mouth to the West and peel's 30 pieces of silver? directors that can't deal with their young mistresses? actors coming on stage for a couple with their own fumes? alas.